09/08/2026
The Nativity of the Virgin,
Painting by Andrea di Bartolo (active from 1389 - died 1428),
Painted circa 1400-1405,
Tempera on poplar panel
© National Gallery of Art, Washington
The Birthday of the Blessed Virgin Mary
Matthew 1:18-23
Scroll down to read the Gospel & Art Reflection or click this link to read on the Christian.art website
🔗 https://christian.art/daily-gospel-reading/matthew-1-18-23-2026/
Now the birth of Jesus Christ took place in this way. When his mother Mary had been betrothed to Joseph, before they came together she was found to be with child from the Holy Spirit. And her husband Joseph, being a just man and unwilling to put her to shame, resolved to send her away quietly. But as he considered these things, behold, an angel of the Lord appeared to him in a dream, saying, ‘Joseph, son of David, do not fear to take Mary as your wife, for that which is conceived in her is from the Holy Spirit. She will bear a son, and you shall call his name Jesus, for he will save his people from their sins.’
All this took place to fulfil what the Lord had spoken by the prophet:
‘Behold, the virgin shall conceive and bear a son,
and they shall call his name Emmanuel’ —
which means, God with us.
Reflection on the painting
Today we celebrate the Birthday of the Blessed Virgin Mary. Normally, the Church commemorates the dates of a saint’s death: their entrance into eternal life. Yet with Jesus, Mary and with Saint John the Baptist, we also mark their births in the Liturgical Calendar. This is because they each had a unique role in salvation history, and their holiness was present even before they were born. Mary, through her Immaculate Conception, was free from the stain of sin from the first moment of her existence. Today we celebrate her birth.
Today’s painting, The Nativity of the Virgin, was painted around 1400–1405 by Andrea di Bartolo, a Sienese painter. Originally part of a larger altarpiece telling episodes from the life of Mary, the little panel brings the sacred event of her birth wonderfully close to everyday life. Rather than giving us a grand heavenly vision, Andrea shows us something that could almost be happening in an ordinary medieval household: the arrival of a new baby.
Saint Anne, Mary’s mother, rests in bed behind the rich red curtain while an attendant pours water over her hands. In the centre, the newborn Mary is already standing on surprisingly sturdy little legs, carefully supported and admired by two women. Another woman enters carrying a roasted chicken for the new mother, while Joachim, Mary’s father, sits quietly outside the room, seemingly lost in thought. It is a charmingly human detail that the chicken sits almost at the centre of the composition. Andrea di Bartolo reminds us that God’s greatest plans often begin very quietly: in a home, around a bed, among people washing, eating and caring for a newborn child. The little girl at the centre of all this ordinary domestic activity will one day become the Mother of God.
Saint Augustine once reflected that Mary’s birth was no ordinary event, but a moment of cosmic significance. Her arrival foretold the coming of Christ, the Saviour she would one day bear. “She is the flower of the field,” he wrote, “from whom bloomed the precious lily of the valley.” Today we give thanks for the gift of Mary’s life, which brought forth the life of Jesus for the world.
A happy and blessed feast day to you all!
