St. Brigid in the Ozarks

St. Brigid in the Ozarks A cell of the Community of St. Brigid replanted in the Ozarks: a gathering of faith and contemplation surrounding the light of Christ.

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08/21/2026

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'Don't hold on to what must die and don't fear what lies ahead. Life/death/life is the universal cycle of transformation that keeps reoccurring whenever there is time to grow and expand. It's a leap of faith one must take, surrender into or sacrifice, in order to be grown into the next version of oneself. There comes a time in your life when the life you have been living is over and you have no clue who you are becoming'

Marion Woodman
Painting by John Caple
www.teallach.com

08/14/2026
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08/04/2026

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“Everything that I could see was beautiful. I cried and cried, standing there, surrounded by that beauty, even though I wasn’t standing anywhere. I could hear the sound of my own tears. Everything was beautiful. Not that there was anyone to share it with, anyone to tell. Just the beauty.”
Mieko Kawakami - Heaven, b.1976.

Je Shen

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06/25/2026

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🌿 The Irish word "draíocht" — pronounced roughly "dree-ocht" — is usually translated as magic or enchantment, and the translation is accurate but insufficient, because in Irish the word carries a quality of the pervasive and the ambient that the English "magic" — with its connotations of trick and performance — does not quite catch. Draíocht is not something a magician does. It is something a landscape has. It is the quality of certain places and certain moments when the ordinary world reveals that it has more in it than it usually shows — when the mist and the tower and the heron align in a way that is technically explicable and genuinely inexplicable at the same time.

The Irish landscape is full of draíocht, and the Irish people have always known it. This is not mysticism in the pejorative sense — not a refusal to understand how mist forms or why towers were built or how herons hunt. It is an additional perception, a recognition that the full description of reality includes the quality of what it feels like to stand in a specific place at a specific moment, and that this quality is not nothing, not merely subjective, not reducible without remainder to meteorology and architecture and ornithology.

The ancient Irish poets who wrote the first nature poetry in European vernacular literature — the 9th-century poems of the monk in his cell describing a blackbird singing, the quality of winter, the sound of the wind in the tree — were describing draíocht without using the word. They were describing the world as it is when you are fully present in it, when the habitual filtering of ordinary perception is momentarily suspended and you see what is actually there rather than what you expected to see.

The Glendalough valley produces draíocht reliably. On the right morning, with the right mist, with the tower emerging from it at the right angle of the rising light, the valley does something that can only be described as showing you what Ireland actually is underneath what Ireland usually presents.

Pay attention. The mist always clears. The moment is brief. 🕯️

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Sullivan, MO

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