05/27/2026
Dear brothers and sisters in Christ,
One of the hymns we will be singing this week is “Holy, Holy, Holy! Lord God Almighty” (LSB 507).
“The canon of nineteenth-century English hymnody was never more ennobled than by the contribution of ‘Holy, holy, holy’ from the fertile pen of Reginald Heber (1783-1826). While serving as rector of a rural parish at Hodnet, Shropshire, this man of exceptional literary credentials sought to make what he called the ‘powerful engine’ of hymnody harmoniously serve the liturgy, lectionary, preaching, and calendar of the church. To this end, ‘Holy, holy, holy’ was written specifically for Trinity Sunday. Based on the festival pericope of Revelation 4:8-11, the hymn uses a judicious economy of language to profess the highest divine mystery. It is an objective and regal hymn without the pretentious ornamentation often associated with the pre-Victorian era in which the hymn was written.
A devout and beloved pastor, Heber was conscious of the holiness of God. He desired his parish members to voice the same. Whether mindful of homeland vices or pained by the specter of idol worship during the last three missionary years of his life serving in far-flung India, Heber would frequently write ‘Only thou art holy.’ It is said that the English poet laureate Alfred Tennyson regarded ‘Holy, holy, holy’ as an archetype of sacred poetry. Its greatness both in majestic trinitarian doctrine and in clarity of form had been recognized by nearly two centuries of uninterrupted usage, innumerable translations, and inclusion in nearly every English-language hymnal.
The pure adoration of heavenly worship absorbs also the church on earth. ‘All the saints adore Thee’ (Stanza 2) portrays the church’s unity of faith in song, whether the saints are in heaven or on earth. This certainly includes the participation of the angels as seen in the vision of Isaiah 6:2-4.
But it is the personal union of the Godhead in three persons, the blessed Trinity, that forms the core and substance of this hymn. ‘Holy, Holy, Holy,’ not only expresses the hallowed nature of God, but also the Trinity in the divine name. Reflecting the plurality of persons, the hymn writer uses triplets: God is ‘holy, merciful, and mighty’ (stanza 1); He is ‘perfect in power, in love, and purity’ (stanza 3); He is worshiped by saints, cherubim, and seraphim and is praised ‘in earth and sky and sea (stanza 4). Through repeated units of three, the hymn describes and worships the one true God in three persons.
In language that resists revision, the phrase, ‘which wert and art and evermore shalt be’ (stanza 2) likewise indicates that the trimless trinity of God as an echo to the angelic refrain of Revelation 4:8, ‘Holy, holy, holy, is the Lord God almighty, who was and is and is to come!’ Attempts to retrofit stanza 3 with inclusive language, such as ‘the the eye made blind by sin’ (LW) or ‘Though the sinful human eye’ (H1982), have been clumsy. Heber’s clear enunciation of humanity’s universal sinfulness in contrast to God’s uninhibited glory underscores once more the church’s affirmation ‘only Thou art holy’” (Lutheran Service Book: Companion to the Hymns Vol 1:446-447).
Here is a recording of this beautiful hymn that we can enjoy as we prepare for the Divine Service on Trinity Sunday:
"Holy, Holy, Holy" was the Opening Hymn from the February 9, 2025 C...