06/09/2026
Fourteenth Sunday after Trinity and the Bayeux Tapestry.
“Where two or three are gathered together in my name, I am there among them.” Jesus, in today’s gospel Matthew 18:15-20.
It “tells the story of the beginning of what I like to think of as the French side of my family’s history in these islands.” King Charles, viewing the Bayeux Tapestry.
In today’s gospel, Jesus speaks of disputes and how to overcome them. It’s perhaps unsurprising that there seems to be as much need for conflict resolution then as now, dating right back to the time of Moses. In Deuteronomy, Moses established that the evidence of two or three witnesses was required for capital punishment where necessary and Jesus also stipulates this, but now for exclusion rather than the death penalty. Various ways are suggested to try and solve disputes, ranging from talking with individuals to congregations being present and, if no resolution can be found, Jesus suggests that the wrongdoer should be treated like Gentiles and tax collectors. Usually, that would mean being treated like an outcast but, as he has reached out to those groups and Matthew himself was a former tax collector, it’s clear that there is still hope for reconciliation at some point in the future if not the present moment. Any exclusion would hopefully then be only temporary and the long view is sometimes necessary in families as well as churches, communities and nations.
At a time when there seems to be more conflict and division than ever before - or perhaps greater awareness of it through social media and telecommunications - one example of the longer view is the arrival of the Bayeux Tapestry in England for the first time in 1,000 years. It’s not actually a tapestry but a series of embroideries, probably created originally by English needlewomen in or near Canterbury. In telling the story of the Battle of Hastings in 1066, the death of King Harold and the invasion of England by the French, it seems that memories of some conflicts run very deep. For at the Battle of Normandy in 1944, nearly nine hundred years later, many of those killed during it were laid to rest in the Bayeux War Cemetery and carved along the memorial to the war dead are the words Nos a guilielmo victi victoris patriam liberavimus meaning, We, once conquered by William, have now set free the Conqueror’s native land. In viewing the Tapestry at the British Museum this week, King Charles called its loan “the best possible symbol” of relations between England and France, and even referred to “the French side of my family”, being a direct descendent of William. With President Macron present, it seems that relationships that, at times over the centuries have been very frosty, are now improving if not yet entirely (entente) cordial(e).
That stems in part from difficulties in agreeing how to handle the numbers of immigrants trying to cross the Channel in small boats which are increasingly becoming larger boats with greater risk. Some scenes in the Bayeux Tapestry show William’s troops arriving at Pevensey beach in a fleet of 37 wooden ships and smaller boats with horses, weapons and supplies aboard. Nearly nine centuries later, boats are still coming from France to Britain’s shores with many of them bearing illegal immigrants and the complexities of dealing with this are severe, as shown by the disruption caused at the Port of Dover yesterday by those protesting about them. Equally, there are those who support their arrival - what might Jesus have recommended for this particular conflict resolution?!
It’s perhaps tempting to think that all this is far removed from our daily lives but here, there is a constant reminder in the church. Originally wooden, the stone church which now exists was constructed in the Romanesque or Norman style which became so significant a sign of that era as seen in so many places such as Norwich Castle or Durham Cathedral. It’s unlikely that the Normans had much to do with this remote Welsh church but their influence is clear, not just in architecture but in other ways such as the law, land ownership as shown in the Domesday Book, language development and the different food the Normans brought with them.
One of the issues surrounding the arrival of the Bayeux Tapestry is the noting of two damaged threads which could have occurred on either side of the Channel as it travelled. In days gone by, repairs were often carried out by darning, a word which may have originated from dern meaning hidden and used so that a well-darned hole would not be noticed. Darn it! can also used as an unrelated form of damn it! As conflicts and benefits across the centuries and generations are highlighted with the arrival of the Tapestry and the ongoing focus on the Normans, what response could be made to those coming to these shores today? It’s clear that battles, conflict and wars of words are still ongoing - are the words of Jesus still relevant to the issues and relationships?Could repairs or reconstruction be made? And what should be done with any damaged thread depicting events and relationships in the tapestry of our own lives? Nothing, other than note it? Darn it as in damn it? Or darn it as in mend it? Might a stitch in time save more than nine?!
With my prayers; pob bendith,
Christine, Priest Guardian.