01/04/2026
In 1981, Kojo Ndah released Eziyeho, an album which has since achieved near grail status.
The music is filled with Vis a Vis signature breaks, fills and psychedelic analog synth sounds which make many, me included 99% sure that this is Vis a Vis under the radar.. possibly for contractual reasons... But hear me out.
The record was recorded at the Napoleon Club's Studio 1 in Osu, Accra, Ghana and engineered by Jacob Sadjro, arguably the one of the top studio engineers at the time (Uhuru Dance Band, CK Mann, Mariah Makeba..). Vis a Vis's stomping grounds.
Thirdly the titled band's members were not identified. Just "Soundz Connections".
Fourthly, "Soundz Connection", the titled band, never feature on any other release before or after. How can a band this good dissappear into thin African air 🤔
I have a clean copy for sale. Cheaper than discogs.
In 1978 Vis a Vis was a major touring band in Ghana, known for backing Alhaji Kwame Frimpong as The Cubanos Fiestas, a hugely popular band. Sammy Cropper, the bands' bass player signed with BHM to release an eponymous album. This album was licenced to Makossa in the US as Papa Akwasi. In 1982, this same album was released by an Ivoirian label, A.D. Records, as a Vis a Vis LP with a different title, Owo Bieya.
This shows how IP is created and traded through a combination that often involves artistes, labels and bands. The asset is the music but the financial benefits accrue to whoever controls publishing and master rights.
The record industry in Africa in the 70s was a bit different from the norm. BHM could release an album and not control the master. Sponsors could finance the production of an album from studio sessions to pressing and still "work" with a label for "manufacturing and distribution".
The label has it's logo all over the record but no rights to the master.
It is not clear who owned the master to the Sammy Cropper LP, a money trail investigation will reveal that but it is interesting that the IP was released and monetized in 3 countries over 4 years as 3 different albums with different titles. I found both in Abidjan.