Voices of Bhakti

Voices of Bhakti Showcasing poetry on religion, caste, and gender from South Asia (and beyond). Curated by Nikhil Man

Fundraiser link in bio!I haven’t been very active on Instagram for the past year. Along with grad school, I’ve been work...
05/08/2026

Fundraiser link in bio!

I haven’t been very active on Instagram for the past year. Along with grad school, I’ve been working on a few different community-building and educational projects outside of social media. One of these projects is a podcast, exploring South Asian devotional poetry in a deeper and more expansive way than an Instagram post or reel.

This podcast has been a collaboration with many artists, scholars, translators, musicians, and poets whose work I deeply admire.

We’re almost at the finish line—if you’re able to contribute to our fundraiser, any amount helps.

I’m so excited to share this with you, and I hope you’ll tune in soon. Thank you!!!

- Nikhil

14/05/2026

Join us for THE BODY IS POETRY this weekend! Day 1 (May 16) is virtual, and Day 2 (May 17) is in-person in San Francisco. Registration links in bio!

Meet our panelists for Day 2 of THE BODY IS POETRY!This will be an in-person workshop in San Francisco in which we will ...
17/04/2026

Meet our panelists for Day 2 of THE BODY IS POETRY!

This will be an in-person workshop in San Francisco in which we will explore the connections between art, poetry, politics, caste, and the body – using Telugu padams and javalis as a case study. Our speakers will be Dr. Harsh*ta Mruthinti Kamath and Dr. Yashoda Thakore (virtual), with Dr. Preethi Ramaprasad serving as facilitator.

This workshop is open to all. We especially encourage musicians and dancers who perform padams and javalis, as well as practitioners of other South Asian art forms who work with poetry and other textual sources. Familiarity with Telugu, padams, or javalis is not required!

Registration Link (link in bio): tinyurl.com/may17poetry

Meet our panelists and respondents for Day 1 of THE BODY IS POETRY!After a short presentation on “Bhakti Poetry and the ...
16/04/2026

Meet our panelists and respondents for Day 1 of THE BODY IS POETRY!

After a short presentation on “Bhakti Poetry and the Body” by Nikhil Mandalaparthy (curator of Voices of Bhakti), we will have a virtual panel discussion on Zoom, on the theme of “Exploring South Asian Devotional Poetry.”

We’ll hear from some brilliant artists who have engaged with South Asian devotional poetry in different ways: Zain Bandali, Dr. Rajiv Mohabir, and Shruthi Veena Vishwanath.

And afterwards, three amazing Bay Area-based dancers will serve as respondents, sharing their reflections on the conversation!

Registration Link (link in bio): tinyurl.com/may16poetry

We’re excited to announce THE BODY IS POETRY: a weekend for practitioners of South Asian art forms to explore questions ...
28/03/2026

We’re excited to announce THE BODY IS POETRY: a weekend for practitioners of South Asian art forms to explore questions related to poetry, politics, religion, and the body.

Join us on Day 1 (May 16, 2026) for a virtual gathering where we will explore the diversity of South Asian devotional poetry and hear from artists who have engaged with this literature in different ways.

And if you’re based in the San Francisco Bay Area, join us on Day 2 (May 17, 2026) for an in-person workshop in which we will explore the connections between art, poetry, politics, caste, and the body – using Telugu padams and javalis as a case study.

This series of events is being organized by Dr. Preethi Ramaprasad and Nikhil Mandalaparthy as part of the 2026 Community Engagement Residency hosted by Bridge Live Arts, a Bay Area-based organization creating and supporting equity-driven live art that centers artists as agents of change.

Day 1 (May 16) Registration Link: tinyurl.com/may16poetry

Day 2 (May 17) Registration Link: tinyurl.com/may17poetry

Questions? Email [email protected]

This vachana in Kannada is attributed to the 12th-century poet-saint Akka Mahadevi.Translator Manu Devadevan writes, “Th...
13/02/2026

This vachana in Kannada is attributed to the 12th-century poet-saint Akka Mahadevi.
Translator Manu Devadevan writes, “The vachanas were poems composed in the 11th and the 12th century by Shaiva saints, whom tradition identifies as sharanas, proteges of Shiva … The surviving poems are over 20,000 in number, but close to 90 percent of them are attributed to the 130-odd pioneers of the 11th and the 12th century. Among the pioneers, about half a dozen lived between c. 1050 and 1150 CE. The rest were active in the later half of the 12th century.”
“The Lingayats regard the vachanas as their sacred literature. Within the extant corpus, the poems of Basava, Allama Prabhu and Akka Mahadevi are conferred a pride of place and held in special esteem.”
“Historians regard the work of the sharanas as an ingenious regional expression of the larger South Asian bhakti devotionalism. This assessment, however, is placed within a narrative that is the stuff of romances. The 12th century is represented as one of intense religious ferment, characterized by widespread dissent and protest from a section of the Shaivites against oppressive orthodox beliefs and conventions … But as it turns out, the narrative is a fine blend of fact and fiction, drawing extensively upon hagiographic accounts from later times.”
“Sources from the 12th century point to many an instance of dissent against the orthodoxy, but there is no evidence for large-scale unrest across the region … What cannot be called into question, though, is the revolutionary attitude towards religion that the sharanas brought into effect. Their work changed the religious narrative of Karnataka in irreversible ways.”
“It is neither uncommon today for Lingayats to go on pilgrimage, nor hard to find sharanas travelling to pilgrim centres like Srisailam in the hagiographies. But the sharanas developed an attitude of reticence towards pilgrimage.”

Bay Area-based dancers, musicians, and artists: Save the date for an upcoming series of events organized through  Commun...
10/02/2026

Bay Area-based dancers, musicians, and artists: Save the date for an upcoming series of events organized through Community Engagement Residency, designed to help you explore the world of South Asian poetry. More information to come soon!

Vibhishana, a Guardian Deity of Sri LankaThis verse is in praise of Vibhishana, the brother of Ravana, from the Ramayana...
03/02/2026

Vibhishana, a Guardian Deity of Sri Lanka
This verse is in praise of Vibhishana, the brother of Ravana, from the Ramayana epic.
In Sri Lanka, Vibhishana has been incorporated into Sinhala Buddhism as one of the island’s four guardian deities, a protector of Buddhism, and as this verse mentions, “King of Gods.”
This verse comes from the “Saelalihini Sandesaya” (The Starling’s Message), a poem from 15th-century Sri Lanka that is remembered as “a masterpiece of classical Sinhala literature.” This verse specifically references Vibhishana’s shrine at the important Buddhist temple at Kelaniya, near modern-day Colombo.
Scholar John C. Holt writes:
“Given the sensuous nature of this 108-stanza poem abounding in Hindu and Vedic imagery, it may be surprising that it was written by perhaps the most eminent Buddhist monk of the era.”

“Sri Rahula … the fifteenth-century “master of six languages” and intimate confidant of Parakramabahu VI’s Kotte court, who founded an academy of higher learning that drew students from throughout much of the South Asian world.”
“The poem itself, regarded as a masterpiece of classical Sinhala literature, is essentially a request to a beautiful bird (Saelalihini) to make a pilgrimage to the shrine of the great deity Vibhisana (brother of the Ramayana antagonist Ravana and one of the four guardian deities of Lanka) in order to plead with the deity to bestow a male child on Ulukudaya Devi, the daughter of Parakramabahu VI, to be an heir to the throne and so continue the royal lineage of Kotte.”
“... this poem, significant as an example of the genre of “messenger poems” introduced from India, reflects in its descriptions the degree to which the high culture of the royal court had become familiar with the details of Sanskrit Hindu literature.”

Vibhishana, a Guardian Deity of Sri LankaThis Sinhala verse is in praise of Vibhishana, the brother of Ravana from the R...
03/02/2026

Vibhishana, a Guardian Deity of Sri Lanka
This Sinhala verse is in praise of Vibhishana, the brother of Ravana from the Ramayana epic.
In Sri Lanka, Vibhishana has been incorporated into Sinhala Buddhism as one of the island’s four guardian deities, a protector of Buddhism, and as this verse mentions, “King of Gods.”
This verse comes from the “Saelalihini Sandesaya” (The Starling’s Message), a poem from 15th-century Sri Lanka that is remembered as “a masterpiece of classical Sinhala literature.” This verse specifically references Vibhishana’s shrine at the important Buddhist temple at Kelaniya, near modern-day Colombo.
Scholar John C. Holt writes:
“Given the sensuous nature of this 108-stanza poem abounding in Hindu and Vedic imagery, it may be surprising that it was written by perhaps the most eminent Buddhist monk of the era.”

“Sri Rahula … the fifteenth-century “master of six languages” and intimate confidant of Parakramabahu VI’s Kotte court, who founded an academy of higher learning that drew students from throughout much of the South Asian world.”
“The poem itself, regarded as a masterpiece of classical Sinhala literature, is essentially a request to a beautiful bird (Saelalihini) to make a pilgrimage to the shrine of the great deity Vibhisana (brother of the Ramayana antagonist Ravana and one of the four guardian deities of Lanka) in order to plead with the deity to bestow a male child on Ulukudaya Devi, the daughter of Parakramabahu VI, to be an heir to the throne and so continue the royal lineage of Kotte.”
“... this poem, significant as an example of the genre of “messenger poems” introduced from India, reflects in its descriptions the degree to which the high culture of the royal court had become familiar with the details of Sanskrit Hindu literature.”

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